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Becky Barksdale
Becky Barksdale’s music has can be heard in film, television and video
games. Her music has appeared in trailers including “Finding Neverland,”
“Mr. 3000,” “Cold Mountain,” “The Jacket,” “Flight of the Phoenix,”
“Bogeyman,” “Exorcist: The Beginning,” “Mean Girls,” “Timeline,” “Dawn
of the Dead,” “The Prince & Me” and “Daredevil.” She also was the
songwriter and performer on “For Something,” featured in the
film“D.E.B.S.,” an official section at the Sundance Film Festival.
Barksdale, a Lamar University graduate, is a noted blues musician. LA
Weekly has called her music “absolutely thrilling” and Los Angeles
Magazine says she’s a “major talent.”
When the question is asked “Who will carry the blues torch beyond the
millennium into the 21st century?” When the focus turns to the ladies,
one name high on the list is Becky Barksdale, a guitar playing wailer
from Port Arthur, Texas who blends the flavors of electric blues and
rock to create an intense, brooding, powerfully sensual style.
Introduced to blues not long after her grandfather gave her a guitar at
age 12, she learned to play by hanging around with local musicians. By
16, she was on the stage as a professional. Years of gigs led eventually
to a stint with a latter-day line-up of Canned Heat. Word of her
scorching guitar work traveled fast, soon catching the ear of Michael
Jackson. Becky spanned the globe as Jackson's lead guitarist for the
1993 Dangerous World Tour, bringing authentic rock punch to the king of
pop's live show. Not long after, she wowed the audience at a Blues
Heaven Foundation appearance at the House Of Blues Music Company. She
became the first artist signed to the label's new roster.
On stage, she rocks the blues with convincing authority, combining
fluid fiery guitar licks with supple, edgy vocals. The rough textures of
her voice and the raw passion of her singing have invited comparisons to
Port Arthur hometown heroine Janis Joplin, a correlation both flattering
and disturbing to a woman who goes her own way.
"Satisfy Me", from 1996's House Of Blues "Hot Biscuits Sampler", works
the same thematic territory as Bessie Smith's "Do Your Duty", with
decidedly different results. With the release of 1999's "Real Live", she
documents the reason for all of the buzz surrounding her. Ten previously
unreleased original tracks and a dramatic cover of the Willie Dixon
classic, "I Just Wanna Make Love To You", place her as one of blues'
most dynamic performers.
Yearning, demanding, playing and singing with bold carnal abandon,
Becky Barksdale serves notice that the blues are ever-changing.
Visit her site at www.beckybarksdale.com
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